Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Johan Barthold Jongkind
Norwegian Ship
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ID: 73322

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Johan Barthold Jongkind Norwegian Ship


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Johan Barthold Jongkind

Dutch Impressionist Painter, 1819-1891 was a Dutch painter and printmaker regarded as a forerunner of Impressionism who influenced Claude Monet. Jongkind was born in the town of Lattrop in the Overijssel province of the Netherlands near the border with Germany. Trained at the art academy in The Hague, in 1846 he moved to the Montmartre quarter of Paris, France where he studied under Eugene Isabey and Francois-Edouard Picot. Two years later, the Paris Salon accepted his work for its exhibition, and he received acclaim from critic Charles Baudelaire and later on from Emile Zola. Jongkind was to experience little success, however, and he suffered bouts of depression complicated by alcoholism. Jongkind returned to live in Rotterdam in 1855, and remained there until 1860. Back in Paris, in 1861 he rented a studio on the rue de Chevreuse in Montparnasse where some of his paintings began to show glimpses of the Impressionist style to come. In 1862 he befriended the young Claude Monet who later referred to Jongkind as the "master." The following year Jongkind exhibited at the first Salon des Refus's. Despite several successes, in another of his down periods the Impressionist group did not accept his work for their first exhibition in 1874.  Related Paintings of Johan Barthold Jongkind :. | The Jetty at Honflewr | hollandskap | River near Rotterdam | A pastoral landscape | Mills near Rotterdam |
Related Artists:
Tait Arthur Fitzwilliam
English-born American Painter, 1819-1905 American painter and lithographer of English birth. He spent the first three decades of his life in England and arrived in New York in 1850. Steeped in admiration for the subjects of Edwin Landseer and the style of the Pre-Raphaelites, he established himself as a realistic painter of animals and sporting scenes. For his images of Western hunters and trappers, he used as sources the works of George Catlin and William Ranney, artists who, unlike himself, had travelled extensively. He established a summer studio at a camp in the Adirondack Mountains, where he painted sporting scenes. These wilderness scenes, often composed around an anecdote, appealed to a wide popular audience, and from 1852 Currier & Ives as well as Louis Prang published a number of lithographs and chromolithographs of his work. Tait also composed still-lifes of game birds and, in his later career, barnyard scenes of sheep and chickens. His painting A Tight Fix: Bear Hunting in Early Winter
Ludwik de Laveaux
painted Parisian Opera at night. in 1892 - 1893
Honore Daumier
1808-1879 French Honore Daumier Locations In some 40 years of political and social commentary Honore Daumier created an enormously rich and varied record of Parisian middle-class life in the form of nearly 4,000 lithographs, about 1,000 wood engravings, and several hundred drawings and paintings. In them the comic spirit of Moli??re comes to life once again. After having been the scourge of Louis Philippe and the July Monarchy (1830-1848), Daumier continued as a satirist of Louis Napoleon and the Second Empire (1851-1870). Poor himself, the artist sympathized with the struggling bourgeois and proletarian citizens of Paris. As a man of the left, he battled for the establishment of a republic, which finally came in 1870. Liberals have always applauded Daumier; some conservatives, however, have been inclined to consider him woolly-minded. Honore Daumier, born on Feb. 26, 1808, in Marseilles, was the son of a glazier. When Honore was 6, the family moved to Paris, where the elder Daumier hoped to win success as a poet. Honore grew up in a home in which humanistic concerns had some importance. A born draftsman and designer who was largely self-taught, he received some formal instruction from Alexandre Lenoir, one of Jacques Louis David students. An obscure artist named Ramelet taught Daumier the elements of the new, inexpensive, and popular technique of lithography. Daumier style is so much his own that it is not easy to disentangle influences from other artists. Rembrandt and Francisco Goya are usually mentioned, along with Peter Paul Rubens, the Venetian school, and photography.






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